當(dāng)現(xiàn)代人物雕塑寓意
藝術(shù)思潮迎來較大的變革是在第二次世界大戰(zhàn)以后， 當(dāng)時西方國家對現(xiàn)代人物雕塑的創(chuàng)作模式提出了新的想法。一些現(xiàn)代人物雕塑在創(chuàng)作中所運用的藝術(shù)形式與社會發(fā)展的節(jié)奏也有很大沖突， 使現(xiàn)代雕塑大師們的想法發(fā)生變化。
After the Second World War, western countries put forward new ideas on the creation mode of modern figure sculpture. The artistic forms used in the creation of some modern figure sculptures also have great conflicts with the rhythm of social development, which changes the ideas of modern sculpture masters.
在逐漸發(fā)展中， 古典主義審美形式的現(xiàn)代人物雕塑發(fā)展逐漸發(fā)生改變， 隨著現(xiàn)代藝術(shù)的不斷發(fā)展， 古典主義雕塑對人體精確解剖方面的刻畫、程式化的韻律以及穩(wěn)定和諧的構(gòu)圖布局逐漸淡出藝術(shù)家的視野。
In the process of gradual development, the development of modern figure sculpture in the form of classical aesthetics has gradually changed. With the continuous development of modern art, the depiction of precise anatomy of human body, stylized rhythm and stable and harmonious composition layout of classical sculpture gradually fade out of the vision of artists.
當(dāng)代現(xiàn)代人物雕塑的刻畫對寫實技術(shù)以及形式主義的美感不十分重視， 當(dāng)代語境的表現(xiàn)形式是通過現(xiàn)實社會來創(chuàng)作作品， 從作品中可以反映對現(xiàn)實生活以及事物的揭示， 并進一步引發(fā)人性思考。
The depiction of contemporary modern figure sculpture does not attach great importance to the realistic technology and the aesthetic feeling of formalism. The manifestation of contemporary context is to create works through the real society. From the works, we can reflect the revelation of real life and things, and further trigger human thinking.
當(dāng)代現(xiàn)代人物雕塑的語境表現(xiàn)中， 對觀念的表述形式較為重視， 與觀眾的交流要從雕塑內(nèi)容來體現(xiàn)。當(dāng)代藝術(shù)家通過對現(xiàn)實生活的變化來雕塑作品， 這種作品的本身并沒有"塑造"痕跡， 只是讓藝術(shù)回歸于日常生活中。
In the context of contemporary modern figure sculpture, more attention is paid to the e-xpression of ideas, and the communication with the audience should be reflected from the sculpture content. Contemporary artists sculpture works through the changes of real life, this work itself does not "shape" traces, just let art return to daily life.
